I went to Windsor, dining by the way at Chiswick, at Sir Stephen Fox's, where I found Sir Robert Howard (that universal pretender), and Signor Verrio, who brought his draught and designs for the painting of the staircase of Sir Stephen's new house.
That which was new at Windsor since I was last there, and was surprising to me, was the incomparable fresco painting in St. George's Hall, representing the legend of St. George, and triumph of the Black Prince, and his reception by Edward III.; the volto, or roof, not totally finished; then the Resurrection in the Chapel, where the figure of the Ascension is, in my opinion, comparable to any paintings of the most famous Roman masters; the Last Supper, also over the altar. I liked the contrivance of the unseen organ behind the altar, nor less the stupendous and beyond all description the incomparable carving of our Gibbons, who is, without controversy, the greatest master both for invention and rareness of work, that the world ever had in any age; nor doubt I at all that he will prove as great a master in the statuary art.
Verrio's invention is admirable, his ordnance full and flowing, antique and heroical; his figures move; and, if the walls hold (which is the only doubt by reason of the salts which in time and in this moist climate prejudice), the work will preserve his name to ages.
There was now the terrace brought almost round the old castle; the grass made clean, even, and curiously turfed; the avenues to the new park, and other walks, planted with elms and limes, and a pretty canal, and receptacle for fowl; nor less observable and famous is the throwing so huge a quantity of excellent water to the enormous height of the castle, for the use of the whole house, by an extraordinary invention of Sir Samuel Morland.[Pg 178]