I went to see more exactly the rooms of the fine Palace of Luxemburg, in the Fauxbourg St. Germains, built by Mary di Medicis, and I think one of the most noble, entire, and finished piles that is to be seen, taking it with the garden and all its accomplishments. The gallery is of the painting of Rubens, being the history of the Foundress's Life, rarely designed; at the end of it is the Duke of Orleans' library, well furnished with excellent books, all bound in maroquin and gilded, the valance of the shelves being of green velvet, fringed with gold. In the cabinet joining to it are only the smaller volumes, with six cabinets of medals, and an excellent collection of shells and agates, whereof some are prodigiously rich. This Duke being very learned in medals and plants, nothing of that kind escapes him. There are other spacious, noble, and princely furnished rooms, which look toward the gardens, which are nothing inferior to the rest.
The court below is formed into a square by a corridor, having over the chief entrance a stately cupola, covered with stone: the rest is cloistered and arched on pilasters of rustic work. The terrace ascending before the front, paved with white and black marble, is balustered with white marble, exquisitely polished.
Only the hall below is low, and the staircase somewhat of a heavy design, but the facia toward the parterre which is also arched and vaulted with stone, is of admirable beauty and full of sculpture.[Pg 62]
The gardens are near an English mile in compass, inclosed with a stately wall, and in a good air. The parterre is indeed of box, but so rarely designed and accurately kept cut, that the embroidery makes a wonderful effect to the lodgings which front it. 'Tis divided into four squares and as many circular knots, having in the center a noble basin of marble near thirty feet in diameter (as I remember), in which a Triton of brass holds a dolphin, that casts a girandola of water near thirty feet high, playing perpetually, the water being conveyed from Arceuil by an aqueduct of stone, built after the old Roman magnificence. About this ample parterre, the spacious walks and all included, runs a border of freestone, adorned with pedestals for pots and statues, and part of it near the steps of the terrace, with a rail and baluster of pure white marble.
The walks are exactly fair, long, and variously descending and so justly planted with limes, elms, and other trees, that nothing can be more delicious, especially that of the hornbeam hedge, which being high and stately, buts full on the fountain.
Toward the further end, is an excavation intended for a vast fish-pool, but never finished, and near it is an inclosure for a garden of simples, well kept; and here the Duke keeps tortoises in great number, who use the pool of water on one side of the garden. Here is also a conservatory for snow. At the upper part, toward the palace, is a grove of tall elms cut into a star, every ray being a walk, whose center is a large fountain.
The rest of the ground is made into several inclosures (all hedge-work or rows of trees) of whole fields, meadows, bocages, some of them containing divers acres.
Next the street side, and more contiguous to the house, are knots in trail, or grass work, where likewise runs a fountain. Toward the grotto and stables, within a wall, is a garden of choice flowers, in which the duke spends many thousand pistoles. In sum, nothing is wanted to render this palace and gardens perfectly beautiful and magnificent; nor is it one of the least diversions to see the number of persons of quality, citizens and strangers, who frequent it, and to whom all access is freely permitted, so that you shall see some walks and retirements full of gallants and ladies; in others melancholy friars; in others,[Pg 63] studious scholars; in others, jolly citizens, some sitting or lying on the grass, others running and jumping; some playing at bowls and ball, others dancing and singing; and all this without the least disturbance, by reason of the largeness of the place.
What is most admirable, you see no gardeners, or men at work, and yet all is kept in such exquisite order, as if they did nothing else but work; it is so early in the morning, that all is dispatched and done without the least confusion.
I have been the larger in the description of this paradise, for the extraordinary delight I have taken in those sweet retirements. The Cabinet and Chapel nearer the garden-front have some choice pictures. All the houses near this are also very noble palaces, especially Petite Luxemburg. The ascent of the street is handsome from its breadth, situation, and buildings.
I went next to view Paris from the top of St. Jacques' steeple, esteemed the highest in the town, from whence I had a full view of the whole city and suburbs, both which, as I judge, are not so large as London: though the dissimilitude of their several forms and situations, this being round, London long,—renders it difficult to determine; but there is no comparison between the buildings, palaces, and materials, this being entirely of stone and more sumptuous, though I esteem our piazzas to exceed theirs.
Hence I took a turn in St. Innocent's churchyard, where the story of the devouring quality of the ground (consuming bodies in twenty-four hours), the vast charnels of bones, tombs, pyramids, and sepulchers, took up much of my time, together with the hieroglyphical characters of Nicholas Flamel's philosophical work, who had founded this church, and divers other charitable establishments, as he testifies in his book.
Here divers clerks get their livelihood by inditing letters for poor maids and other ignorant people who come to them for advice, and to write for them into the country, both to their sweethearts, parents, and friends; every large gravestone serving for a table. Joining to this church is a common fountain, with good relievos upon it.
The next day I was carried to see a French gentle[Pg 64]man's curious collection, which abounded in fair and rich jewels of all sorts of precious stones, most of them of great sizes and value; agates and onyxes, some of them admirably colored and antique; nor inferior were his landscapes from the best hands, most of which he had caused to be copied in miniature; one of which, rarely painted on stone, was broken by one of our company, by the mischance of setting it up: but such was the temper and civility of the gentleman, that it altered nothing of his free and noble humor.
The next morning, I was had by a friend to the garden of Monsieur Morine, who, from being an ordinary gardener, is become one of the most skillful and curious persons in France for his rare collection of shells, flowers, and insects.
His garden is of an exact oval figure, planted with cypress, cut flat and set as even as a wall: the tulips, anemones, ranunculuses, crocuses, etc., are held to be of the rarest, and draw all the admirers of that kind to his house during the season. He lived in a kind of hermitage at one side of his garden, where his collection of porcelain and coral, whereof one is carved into a large crucifix, is much esteemed. He has also books of prints, by Albert [Durer], Van Leyden, Callot, etc. His collection of all sorts of insects, especially of butterflies, is most curious; these he spreads and so medicates, that no corruption invading them, he keeps them in drawers, so placed as to represent a beautiful piece of tapestry.
He showed me the remarks he had made on their propagation, which he promised to publish. Some of these, as also of his best flowers, he had caused to be painted in miniature by rare hands, and some in oil.