I went to see the Count de Liancourt's Palace in the Rue de Seine, which is well built. Toward his study and bedchamber joins a little garden, which, though very narrow, by the addition of a well-painted perspective, is to appearance greatly enlarged; to this there is another part, supported by arches in which runs a stream of water, rising in the aviary, out of a statue, and seeming to flow for some miles, by being artificially continued in the painting, when it sinks down at the wall. It is a very agreeable deceit. At the end of this garden is a little theater, made to change with divers pretty scenes, and the stage so ordered, with figures of men and women painted on light boards, and cut out, and, by a person who stands underneath, made to act as if they were speaking, by guiding them, and reciting words in different tones, as the parts require. We were led into a round cabinet, where was a neat invention for reflecting lights, by lining divers sconces with thin shining plates of gilded copper.
In one of the rooms of state was an excellent painting of Poussin, being a Satyr kneeling; over the chimney, the Coronation of the Virgin, by Paulo Veronese; another Madonna over the door, and that of Joseph, by Cigali; in the Hall, a Cavaliero di Malta, attended by his page, said to be of Michael Angelo; the Rape of Proserpine, with a very large landscape of Correggio. In the next room are some paintings of Primaticcio, especially the Helena, the naked Lady brought before Alexander, well painted, and a Ceres. In the bedchamber a picture of the Cardinal de Liancourt, of Raphael, rarely colored. In the cabinet are divers pieces of Bassano, two of Polemburg, four of Paulo Brill, the skies a little too blue. A Madonna of Nicholao, excellently painted on a stone; a Judith of Mantegna; three women of Jeronimo; one of Stenwick; a Madonna after Titian, and a Magdalen of the same hand, as the Count esteems it: two small pieces of Paulo Veronese, being the Martyrdoms of St. Justina and St. Catherine; a Madonna of Lucas Van Leyden, sent him from our King; six more of old Bassano; two excellent drawings of Albert; a Magdalen of Leonardo da Vinci; four of Paulo; a very rare Madonna of Titian, given[Pg 55] him also by our King; the Ecce Homo, shut up in a frame of velvet, for the life and accurate finishing exceeding all description. Some curious agates, and a chaplet of admirable invention, the intaglios being all on fruit stones. The Count was so exceeding civil, that he would needs make his lady go out of her dressing room, that he might show us the curiosities and pictures in it.
We went thence to visit one Monsieur Perishot, one of the greatest virtuosos in France, for his collection of pictures, agates, medals, and flowers, especially tulips and anemonies. The chiefest of his paintings was a Sebastian, of Titian.
From him we went to Monsieur Frene's, who showed us many rare drawings, a Rape of Helen in black chalk; many excellent things of Sneiders, all naked; some of Julio and Michael Angelo; a Madonna of Passignano; some things of Parmensis, and other masters.
The next morning, being recommended to one Monsieur de Hausse, President of the Parliament, and once Ambassador at Venice for the French King, we were very civilly received, and showed his library. Among his paintings were a rare Venus and Adonis of Veronese, a St. Anthony, after the first manner of Correggio, and a rare Madonna of Palma.
Sunday, the 6th of March, I went to Charenton, two leagues from Paris, to hear and see the manner of the French Protestant Church service. The place of meeting they call the Temple, a very fair and spacious room, built of freestone, very decently adorned with paintings of the Tables of the Law, the Lord's Prayer, and Creed. The pulpit stands at the upper end in the middle, having an inclosure of seats about it, where the Elders and persons of greatest quality and strangers, sit; the rest of the congregation on forms and low stools, but none in pews, as in our churches, to their great disgrace, as nothing so orderly, as here the stools and other cumber are removed when the assembly rises. I was greatly pleased with their harmonious singing the Psalms, which they all learn perfectly well, their children being as duly taught these, as their catechism.
In our passage, we went by that famous bridge over the Marne, where that renowned echo returns the voice of a good singer nine or ten times.[Pg 56]